Tyrants Blood has been destroying stages and speakers around the world since 2005, luckily for a lot of us they sometimes play in their hometown of Vancouver. With all the history in this band and it's members I had a lot of questions. I recently got a hold of guitarist Marco to get a few answers.
AU: You guys are really good at the business side of the band. Is that mostly a matter of past experience or is there some schooling there?
MB: We've been at this a long time, everybody has well over 15,20,30 years in the business,so we know where we need to be and what has to be done.
We have a massive black book of contacts,management, friends throughout the world, so that makes things run a lot smoother.
AU: You all have former bands. Did any of those bands ever influence Tyrant's Blood or was there an effort to make sure this was it's own project?
MB: Everything we've done influences us in some way, no doubt about that. Your always thinking "Have I done this before? Or "This seems to much like"....so you try to change it up. Got to keep on trying no things, and we've done a decent job up to this point of challenging ourselves and trying new things.
AU: From what I can tell the bands has made a few trips to Brazil. Is there a first thing you did when you got there? Is there something you made sure you did while you were there?
MB: We have a great family within Brazil that goes back to the late 1980's. You see Brazil's extreme metal scene influenced us so much back when Sarcofago,'I.N.R.I,or Sepulturas early demos hit us, so we were well versed in their style. When I performed with Blasphemy, our demo , "Blood upon the Altar" and then the album "Fallen Angel of Doom" had a massive impact on them in return, so groups like Mystifier and Blasphemy became great friends ,and since those early days, we have always kept in correspondence.
When we get there it is very comfortable and the people of Brazil are the best, you feel very welcomed by old friends and even the new always make you feel at home, truly you never want to leave.
AU: Did any of the other members feel intimidated by Brian or Marco and all their past experience and reputation?
MB: Reputation? Hmm, not sure what that means.
Brian performed with Infernal Majesty and we , meaning myself, Vinnie, Matt and Tom ,asked him to join ,and when he had some time, he did.
He didn't have a reputation as anything that we'd heard that would be negative,only that he is a good musician, easy to work with and a good friend to the people he knows.
I think maybe their may have been a little bit of trepidation at some of the rumours of my early days and all that violence and chaos, but really, those days are so far in the past, and the guys have seen it all, so Id have to say that we have never really talked about anything heavy when we started in 05, its always been cool with us all, we're old friends you know, even before the band started.
So definitely no.
AU: Is there a big name band you wouldn't play with no matter the situation?
MB: I don't think so. I suppose it would be odd to perform along side a massive major pop act or whatever, but within the metal style? No we're pretty open if its a good show thats for sure.
AU: And the other side of the question, is there a band you would do anyyhing to play with?
MB: Nope, we're not desperate at all.
AU: What are your feelings on new thrash and black metal bands that have bad recording/production on purpose/
MB: I haven't kept up with them really. Everything I hear is either good , and I get it,or, its just some retro, unoriginal boring try hard crap, SO, with that being written, it stems from listening to thousands and thousands and thousands of bands over the decades, the originals can't be topped, but good luck trying.
AU: If you could be the same band in the same city but in the 1980's, would you do it? why/why not?
MB: Of course, we would be the fastest band in the world if it was the 1980's. Bands weren't performing this style at this speed back then. Sarcofago, Sepultura, Samael,Napalm Death were all in the early blast beat style of metal, so for us to have come out say in 85, doing what we do now? Man, that would be insane,imagine where we'd be now, if this had already been around then.
AU: Yeah, you guys would be huge. Thank you all for your time
MB: Thanks for the questions and work.
Michael F. Carnage
http://www.myspace.com/tyrantsblood
Friday, 3 October 2014
Interview with Martin Drozd of Protokult
To be totally honest I had not heard too much about Protokult before a month or two ago. They were a band from Toronto of some recent Canadians who did the folk thing. Then they started getting notice and making noise so I watched the video I got e-mailed. It was a pretty fun video and I had the chance to get an interview together and I jumped on it.Guitarist Martin Drozd answered my questions and I thank him for it.
AU: For the people who are not familiar with you, what makes you different?
MD: We all come from a wide-range of musical and cultural backgrounds. To add icing on the cake, we incorporate a rich variety of folk-world instruments and are guided by slavonic-folk female vocals. Just so there are no misconceptions (trust me, there have been), yes, we may have a folk-metal foundation but incorporate all the energetically enticing metal elements/genres: thrash, black and some progressive-psychedelic pints! To add insult to the injury, our live shows are unparalleled and best described as ritualistic-drunkenly engaging; with acts ranging from on-stage folk-dances, voluptuous beer maidens feeding the audience, crowd surfing and offerings unto Pagan Gods.
AU: What made Canada the final decision on where to move to make this band work?
MD: It happened by chance and not by choice! Some of us were born here and all lived within the same vicinity near a university campus, attended local shows. Some of us have known each other for nearly a decade, so it was just a matter of time before we all crossed paths and joined forces.
AU: What do you feel is that unseen thing that is making the band take music to a different level?
MD: It is imperative to keep making meaningful, sometimes yes, fun and dark music but also challenging ourselves and raising the bar. Musically and in terms of song writing, this album is the strongest and most developed release yet. I don't wish for it to become redundant or a gimmick; the way I look at it, the music has to speak to me as well as a wider audience to the point where a)I won't get tired of playing the same song every night 20+ nights in a row b) It will always move you and have the same energy as upon initial conception.
AU: You've just released a new album, If everything goes the way you want it to what would you like to see happen in the next year?
MD: We have already somewhat established ourselves within the North-East American scene so playing several shows/tours in these regions is a priority. Still, we need to penetrate the central, Western and South American sides, see the opportunity and potential for shows there. Most importantly, not to segregate the Canadian scene, but through various research and sales statistics it's been proven there is a massive interest and demand for us in the old continent, Europe. Doing business, networking and ideally playing a few festivals on that side of the pond would be an amazing opportunity of tremendous benefit.
AU: What band do you want to share the stage with more than anyone?
MD: We've already played with Turisas, Alestorm and Arkona once and this was fantastic. The energy of the fans was intense and welcoming so I'm always up for doing it again! But in terms of my own influence, honor blah blah blah, I would say either Helloween or Therion. Ekaterina would probably say Korpiiklaani or Leave's Eyes;)
AU: If there's one message you want people to get out of your music what is it?
MD: Drink now and enjoy life while you can! Furthermore, maintain your values,tradition and culture upon the winding, chaotic path that is life and don't be side-tracked by bullshit people, religious leeches or media-psycho-technological nonsense!
AU: Is there one type of tour food that all of you can agree on?
MD: In an ideal world, I would say pierogies, but that's not so common on the "road" now is it? I'm going to give you a totally Canadian answer right now, regardless of how hungover we may get, it always brightens my morning: Flapjacks..."sighs"
AU: Was the move to get folkier and folkier a decision or was it more of a progression?
MD: It was a natural progression that not everyone accepted at first. That first album (Ancestral Anthems), was more of a collection of songs we did in our teen years from 2005-2009. The group went through several reformations, stability and lineup issues. So at some point in 2009, when all the dust began settling we looked back at some of the material and figured, "Why not get this out there?" We narrowed it down to about 9 or 10 intense songs and decided that would be the first Protokult full-length. Additionally, at the time I wrote Awakening, Pagan War, Krak and the Dragon Of Wawel Hill, which clearly, were songs that were folk/pagan-based. The rest of the old material ranged from everything including black, thrash and death metal. With the 2011 Marzena release, Ekaterina and Vodnik joined our lineup so they added some fresh, creative elements into the group, the songs were newly written and that's how the current folk-prog sound took off. I believe Robert Plant said it; that every album is a snapshot/moment of where the group is in time. The folk-prog upbeat aspect is something that has become a staple in our sound and shall henceforth be the foundation of Protokult, regardless of how we experiment in the future.
AU: Time for shameless self promotion. Whats the things that most want everyone of your fans or soon to be fan to do or see?
MD: We hope to drink with you soon and pillage your city! Check out our video for Get Me A Beer (funny but true Spinal Tap-like events from the road) and stay informed of our shenanigans via facebook or www.protokult.com
Hail and cheers!
AU: Thanks again, see ya soon
Michael F. Carnage
http://www.protokult.com
AU: For the people who are not familiar with you, what makes you different?
MD: We all come from a wide-range of musical and cultural backgrounds. To add icing on the cake, we incorporate a rich variety of folk-world instruments and are guided by slavonic-folk female vocals. Just so there are no misconceptions (trust me, there have been), yes, we may have a folk-metal foundation but incorporate all the energetically enticing metal elements/genres: thrash, black and some progressive-psychedelic pints! To add insult to the injury, our live shows are unparalleled and best described as ritualistic-drunkenly engaging; with acts ranging from on-stage folk-dances, voluptuous beer maidens feeding the audience, crowd surfing and offerings unto Pagan Gods.
AU: What made Canada the final decision on where to move to make this band work?
MD: It happened by chance and not by choice! Some of us were born here and all lived within the same vicinity near a university campus, attended local shows. Some of us have known each other for nearly a decade, so it was just a matter of time before we all crossed paths and joined forces.
AU: What do you feel is that unseen thing that is making the band take music to a different level?
MD: It is imperative to keep making meaningful, sometimes yes, fun and dark music but also challenging ourselves and raising the bar. Musically and in terms of song writing, this album is the strongest and most developed release yet. I don't wish for it to become redundant or a gimmick; the way I look at it, the music has to speak to me as well as a wider audience to the point where a)I won't get tired of playing the same song every night 20+ nights in a row b) It will always move you and have the same energy as upon initial conception.
AU: You've just released a new album, If everything goes the way you want it to what would you like to see happen in the next year?
MD: We have already somewhat established ourselves within the North-East American scene so playing several shows/tours in these regions is a priority. Still, we need to penetrate the central, Western and South American sides, see the opportunity and potential for shows there. Most importantly, not to segregate the Canadian scene, but through various research and sales statistics it's been proven there is a massive interest and demand for us in the old continent, Europe. Doing business, networking and ideally playing a few festivals on that side of the pond would be an amazing opportunity of tremendous benefit.
AU: What band do you want to share the stage with more than anyone?
MD: We've already played with Turisas, Alestorm and Arkona once and this was fantastic. The energy of the fans was intense and welcoming so I'm always up for doing it again! But in terms of my own influence, honor blah blah blah, I would say either Helloween or Therion. Ekaterina would probably say Korpiiklaani or Leave's Eyes;)
AU: If there's one message you want people to get out of your music what is it?
MD: Drink now and enjoy life while you can! Furthermore, maintain your values,tradition and culture upon the winding, chaotic path that is life and don't be side-tracked by bullshit people, religious leeches or media-psycho-technological nonsense!
AU: Is there one type of tour food that all of you can agree on?
MD: In an ideal world, I would say pierogies, but that's not so common on the "road" now is it? I'm going to give you a totally Canadian answer right now, regardless of how hungover we may get, it always brightens my morning: Flapjacks..."sighs"
AU: Was the move to get folkier and folkier a decision or was it more of a progression?
MD: It was a natural progression that not everyone accepted at first. That first album (Ancestral Anthems), was more of a collection of songs we did in our teen years from 2005-2009. The group went through several reformations, stability and lineup issues. So at some point in 2009, when all the dust began settling we looked back at some of the material and figured, "Why not get this out there?" We narrowed it down to about 9 or 10 intense songs and decided that would be the first Protokult full-length. Additionally, at the time I wrote Awakening, Pagan War, Krak and the Dragon Of Wawel Hill, which clearly, were songs that were folk/pagan-based. The rest of the old material ranged from everything including black, thrash and death metal. With the 2011 Marzena release, Ekaterina and Vodnik joined our lineup so they added some fresh, creative elements into the group, the songs were newly written and that's how the current folk-prog sound took off. I believe Robert Plant said it; that every album is a snapshot/moment of where the group is in time. The folk-prog upbeat aspect is something that has become a staple in our sound and shall henceforth be the foundation of Protokult, regardless of how we experiment in the future.
AU: Time for shameless self promotion. Whats the things that most want everyone of your fans or soon to be fan to do or see?
MD: We hope to drink with you soon and pillage your city! Check out our video for Get Me A Beer (funny but true Spinal Tap-like events from the road) and stay informed of our shenanigans via facebook or www.protokult.com
Hail and cheers!
AU: Thanks again, see ya soon
Michael F. Carnage
http://www.protokult.com
Tuesday, 30 September 2014
VOMITFIST - FORGIVE BUT AVENGE EP
So as far as I can tell VOMITFIST was a father/son project making some grindcore and then they got a vocalist. The father is a decent composer who teaches how to play Black Sabath on youtube as well as creating the Java music language. The son is in a band called space ass. The new vocalist is also in space ass. Either way I'm totally into grind so I'm excited for this. I hear they're pretty popular with kids in New York. They just released this EP in July and I'm sure you can get it from them on the internet or something.
In it's promo it's tagged as blackened gind but I'm not really getting the blackened part at all, I'll say it has more spazzy or thrashcore elements to it. The first five songs have the six minutes of dis-jointed chaos you would expect from a grind album. Fast time changes, jerking guitar riffs and quick song endings. Then starting with song#5 "Frogmen" this album really gets its groove, the songs are still a minute long but they start ripping. Track#8 "A public execution" is kind of thrashcore again, almost giving a Toxic Holocaust feel to it. Some of you might not like song names like "Ass Hammer" and "The Sacred Slut" but the songs are well crafted and in a way, catchy. "Broken" is a really great song, it has a good flow and dynamic to it that makes me want to put it on a playlist. The last song is called "Bloodfisher" and it's the only song I get any sort of black metal feel off of and it's only because of the guitar tone. And at three minutes long it's the epic of this album.
I like this album, it gives a lot of different things to the listener. There's the spazzy and the thrashy and as well some quick, catchy songs. I would even say there are songs with mainstream appeal but I am notoriously bad with knowing what mainstream appeal is. It's an easy listen for those with bad attention spans as most of the songs don't last two minutes but you get a lot in those two minutes. This band has only been doing things for less than two years I think, and they already have this put together. Makes me think there will be a lot more in the near future.
http://vomitfist.com
In it's promo it's tagged as blackened gind but I'm not really getting the blackened part at all, I'll say it has more spazzy or thrashcore elements to it. The first five songs have the six minutes of dis-jointed chaos you would expect from a grind album. Fast time changes, jerking guitar riffs and quick song endings. Then starting with song#5 "Frogmen" this album really gets its groove, the songs are still a minute long but they start ripping. Track#8 "A public execution" is kind of thrashcore again, almost giving a Toxic Holocaust feel to it. Some of you might not like song names like "Ass Hammer" and "The Sacred Slut" but the songs are well crafted and in a way, catchy. "Broken" is a really great song, it has a good flow and dynamic to it that makes me want to put it on a playlist. The last song is called "Bloodfisher" and it's the only song I get any sort of black metal feel off of and it's only because of the guitar tone. And at three minutes long it's the epic of this album.
I like this album, it gives a lot of different things to the listener. There's the spazzy and the thrashy and as well some quick, catchy songs. I would even say there are songs with mainstream appeal but I am notoriously bad with knowing what mainstream appeal is. It's an easy listen for those with bad attention spans as most of the songs don't last two minutes but you get a lot in those two minutes. This band has only been doing things for less than two years I think, and they already have this put together. Makes me think there will be a lot more in the near future.
http://vomitfist.com
Monday, 29 September 2014
Kryosphere/Arrival of Autumn Victoria BC Sept 20th
September 20th The Cambie in Esquimalt
Showed up at The Cambie a little early and was one of the first people to get in there. Just in time for a cheap jug and some sound checks. Arrival of Autumn from Garnde Prarie was up first. None of them look like they can legally drink here. Despite how young I think they look they can put together a pretty decent song, in a catchy form of hard rock. Third song in and it's one off of their new album, it's not brutal or even that metal but it has a good riff. "Selfish Sanity" has that clean/harsh/clean vocal style that keeps getting more popular, does have some good soloing though. It was a Cancer Bats cover next and then their last song was their best. "There's no angels here" was what I think it was called and they put everything into it. All in all these kids seem to have their shit together.
Kryosphere upped the tempo a bit with their new school death metal sound. The turnout was unfortunetly small but the band still played a high energy show. Song after song they played hard for the small crowd. They went through the show with little banter but a lot of focus. Each song looked as if it was practiced well anf that the whole band was ready for the tour. After the show they even had a raffle where I won a giant fabric sticker I have no idea what I'm gonna do with.
I had a good time at the show and I think everyone else there did too. All 20 or so people there seemed to like both the bands and the sound came through well. It sucks that there wasn't more people there or maybe some local bands to help out.
http://www.arrivalofautumn.com
http://kryosphere.net
Showed up at The Cambie a little early and was one of the first people to get in there. Just in time for a cheap jug and some sound checks. Arrival of Autumn from Garnde Prarie was up first. None of them look like they can legally drink here. Despite how young I think they look they can put together a pretty decent song, in a catchy form of hard rock. Third song in and it's one off of their new album, it's not brutal or even that metal but it has a good riff. "Selfish Sanity" has that clean/harsh/clean vocal style that keeps getting more popular, does have some good soloing though. It was a Cancer Bats cover next and then their last song was their best. "There's no angels here" was what I think it was called and they put everything into it. All in all these kids seem to have their shit together.
Kryosphere upped the tempo a bit with their new school death metal sound. The turnout was unfortunetly small but the band still played a high energy show. Song after song they played hard for the small crowd. They went through the show with little banter but a lot of focus. Each song looked as if it was practiced well anf that the whole band was ready for the tour. After the show they even had a raffle where I won a giant fabric sticker I have no idea what I'm gonna do with.
I had a good time at the show and I think everyone else there did too. All 20 or so people there seemed to like both the bands and the sound came through well. It sucks that there wasn't more people there or maybe some local bands to help out.
http://www.arrivalofautumn.com
http://kryosphere.net
Sunday, 7 September 2014
Display of Decay-Outbreak of Infection
DISPLAY OF DECAY is a four-piece metal band from Edmonton. They are mostly doing old school death metal but that comes with splashes of thrash and doom. They have been around for seven or eight years now and have come out with their third release which is "Outbreak of Infection". A tour is underway so they can build on their already great live reputation. In the past they have already shared the stage with Origin and The Faceless.
It all starts easily enough with "Born of Rot" and about 30 seconds in you'll notice the bass, it just kind of sticks out a bit. For a first track it kind of shows all the different aspects of the band, little bits here and there. They hit their stride with the third song "Praise the Gore". It has a good pace and riff and gutterals that totally fit the song and subject matter. This continues at a quicker pace for the next song. Quick drumming mixed with good guitar interplay all covered in gutteral grunts and growls. Some good soloing and a riff just tops it off. They end of this whole thing with a great chunk of death n roll aptly named "Black Diamond" It's just a really well written song that I can see getting some heavy play at parties.
For a small death metal band from Edmonton I think these guys have put together a pretty decent album. It's only five songs long but I think it's good that they're getting more music out there. There's some good guitar work and drumming on this album, and I really do like the solid gutterals. A lot of death metal these days doesn't really have vocals like this, kind of reminds me of Broken Hope or Gorgasm. The bass is also noticeable in the mix in more than a few points, like with say Beyond Creation. If I had to pick a favorite song on this one it has to be "Black Diamond". That's a song I'm already thinking about listening to again.
Michael F Carnage
http://www.displayofdecay.net/
It all starts easily enough with "Born of Rot" and about 30 seconds in you'll notice the bass, it just kind of sticks out a bit. For a first track it kind of shows all the different aspects of the band, little bits here and there. They hit their stride with the third song "Praise the Gore". It has a good pace and riff and gutterals that totally fit the song and subject matter. This continues at a quicker pace for the next song. Quick drumming mixed with good guitar interplay all covered in gutteral grunts and growls. Some good soloing and a riff just tops it off. They end of this whole thing with a great chunk of death n roll aptly named "Black Diamond" It's just a really well written song that I can see getting some heavy play at parties.
For a small death metal band from Edmonton I think these guys have put together a pretty decent album. It's only five songs long but I think it's good that they're getting more music out there. There's some good guitar work and drumming on this album, and I really do like the solid gutterals. A lot of death metal these days doesn't really have vocals like this, kind of reminds me of Broken Hope or Gorgasm. The bass is also noticeable in the mix in more than a few points, like with say Beyond Creation. If I had to pick a favorite song on this one it has to be "Black Diamond". That's a song I'm already thinking about listening to again.
Michael F Carnage
http://www.displayofdecay.net/
Justin Symbol-Control
JUSTIN SYMBOL is a industrial/EDM artist from NYC or more specifically, he's from Brooklyn. He's been getting a lot of attention in the New York alternative club scene as industrial music gets more popular again. I guess everyone is starting to find Skinny Puppy again. He has a three song single released now before a full length comes out a little later in the fall.
First thing I noticed was that this is not what I think of when I think of industrial, I guess I think that genre is a little harsher and louder. I guess we can just call this electronic. The first track is "Control" and it starts off all synthy. It's kind of catchy and I like it. The lyrics have an angsty feel of anti-authority. Next is "Killing an Arab". It's a short song with a harder sound and a more political theme going on it it, I had to repeat this one a few times. Lat up is "Shooting stars" and I think this is a great ending. It has a really good hook to it and flows from start to end with lyrics that most can agree with and sing along to.
All in all it's pretty good for a quick little single pack. I don't regret listening to this a few times over in a row. I'm no expert on electronic music but ten to fifteen years ago I was stealing drugs and sneaking into underground clubs and music like this could have been the soundtrack to that. And for that I like it
Michael F. Carnage
First thing I noticed was that this is not what I think of when I think of industrial, I guess I think that genre is a little harsher and louder. I guess we can just call this electronic. The first track is "Control" and it starts off all synthy. It's kind of catchy and I like it. The lyrics have an angsty feel of anti-authority. Next is "Killing an Arab". It's a short song with a harder sound and a more political theme going on it it, I had to repeat this one a few times. Lat up is "Shooting stars" and I think this is a great ending. It has a really good hook to it and flows from start to end with lyrics that most can agree with and sing along to.
All in all it's pretty good for a quick little single pack. I don't regret listening to this a few times over in a row. I'm no expert on electronic music but ten to fifteen years ago I was stealing drugs and sneaking into underground clubs and music like this could have been the soundtrack to that. And for that I like it
Michael F. Carnage
Sunday, 17 August 2014
Total Isolation S/T
Published: Absolute Underground #59 August/September 2014
The members of Total Isolation have been in a lot of bands over the years, and you've heard of those bands, but that's not where they want the focus to be. This is a new project with all new tracks that speak for themselves, you don't need any background to know this shit fucking rips. Going as a three-piece with bassist and guitarist sharing vocals, there's not a lot of fluff or extras here. This is straight-forward music with pure intensity and anger. What I do like about the band in general is that although they are all drug-free and vegans they don't feel the need to make their band all about the ideals. The first thing you know about the band doesn't have to be that the members make certain choices in life.
There's a 6-song EP coming out soon with songs that focus on a variety of subjects that are usually touched by hardcore musicians. It's songs with personal meaning and well thought out lyrics about religion and drug abuse put over harsh songs. Track #3"negative prisoner" really puts good use to the two vocals and the fact that one is female to really round of the song. Another piece that sets this apart from a lot of hardcore bands for me is the solid riffing. All 6 songs are ones that I would totally listen to again. It's got what I want in a good hardcore album. "grace irony" and "mind eradication" have great riffs,"rosary chains" is a fast harsh start to this ride and then ending with "habitual tendencies" which just fucking rips. So it's got what it needs: riffs, breakdowns and on two songs there's a girl who can scream really well.
This album isn't out yet but when it is I'm sure people will hear about it. Then find your ass a way to listen to it. In the end I think the whole EP is about fifteen minutes long so just fucking do it.
Michael F Carnage
The members of Total Isolation have been in a lot of bands over the years, and you've heard of those bands, but that's not where they want the focus to be. This is a new project with all new tracks that speak for themselves, you don't need any background to know this shit fucking rips. Going as a three-piece with bassist and guitarist sharing vocals, there's not a lot of fluff or extras here. This is straight-forward music with pure intensity and anger. What I do like about the band in general is that although they are all drug-free and vegans they don't feel the need to make their band all about the ideals. The first thing you know about the band doesn't have to be that the members make certain choices in life.
There's a 6-song EP coming out soon with songs that focus on a variety of subjects that are usually touched by hardcore musicians. It's songs with personal meaning and well thought out lyrics about religion and drug abuse put over harsh songs. Track #3"negative prisoner" really puts good use to the two vocals and the fact that one is female to really round of the song. Another piece that sets this apart from a lot of hardcore bands for me is the solid riffing. All 6 songs are ones that I would totally listen to again. It's got what I want in a good hardcore album. "grace irony" and "mind eradication" have great riffs,"rosary chains" is a fast harsh start to this ride and then ending with "habitual tendencies" which just fucking rips. So it's got what it needs: riffs, breakdowns and on two songs there's a girl who can scream really well.
This album isn't out yet but when it is I'm sure people will hear about it. Then find your ass a way to listen to it. In the end I think the whole EP is about fifteen minutes long so just fucking do it.
Michael F Carnage
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